About the Exhibition
Profundo is a multimedia body of artwork about the feminist upsurge happening within Puerto Rican communities by Tamara Torres. Torres’ collaged photographs of Puerto Rican women take the viewer through an emotional journey where women fight against inequality, domestic violence, rape culture and injustice.
Spending her early life in an unstable home with an alcoholic father and later finding herself in an abusive marriage, Torres, through the power of feminism, purpose and self-acceptance as LatinaX, became liberated and self-aware. The simple definition of a feminist is the advocacy of women's rights based on the equality of the sexes. The definition of feminism for LatinaX is more complicated because of cultural traditions.
Challenging the cultural acceptance of domestic violence within the Puerto Rican community is creating a new "Me Too" wave. Profundo brings forth the voices of women to replace the traditional male perspective, becoming the epitome of "La Feminista" and resulting in a deep conversation on gender roles, values, personal strength and perseverance.
About the Artist
Tamara Torres was born into poverty in Trenton, New Jersey, in 1978, of Puerto Rican and Taino ancestry. Encountering art books in the public library, she found an escape from her life on the streets. At age 13, Torres was introduced to her first camera through an acquaintance working at a one-hour photo store. Her photographs evolved over time into collages of images, text, symbols and abstract-painted backdrops created by Torres.
Known for her abstract paintings that reflect complicated emotional landscapes navigated by her signature "shadow men," Torres shares her world through the creation of works that embody her Afro-Latina ancestry and life experiences.
In every artwork she creates, Torres' creative process begins with a concept from childhood memories, music or current events. Art has offered her a way to heal and stand up against being a victim of circumstance.
Torres’ inspiration comes from the energy of her photographs, the trumpet sounds of Miles Davis, the writings of James Baldwin, the declarations of Victoria Santa Cruz and the stories of the unknown heroes who have saved her life.
For Torres, her abstract paintings have a religious connection and often represent a cry for mental sanctuary against the darkness that arises from unwelcome encounters.
Torres is one of only a few Latina artists who pursue abstract art and she values the support of important mentors. She has exhibited her art in New York, Philadelphia, Chicago, London, Edinburgh and Rome.